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  • L'elisir D'amore: Adina might be an early, operatic version of this. Her merciless teasing of the hapless Nemorino is finally revealed to be a cover for the affection she feels for him. Adina even goes so far as to accept another man's marriage proposal just to annoy the poor boy. She doesn't admit her true feelings, even to herself, until she sees him surrounded by female admirers.

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